Showing posts with label small labels. Show all posts
Showing posts with label small labels. Show all posts

Sunday, January 29

fuck the memescape : a united fairy moons sampler


Avant Gardening's current sub-focus on under-the-radar local label activity and self-published expat wunderkindery takes a different turn of the screw this week, with a look at the prolific output of a local figure whose recent defection has been across artforms, rather than geographical borders.

Founded in late 2002 by Australian import Jim / Jimmy (nee James, nee Jimb) Currin, United Fairy Moons was, in its proprietor's words "started in order to release one record and one record only" : the item in question being a limited lathe-cut pressing of a barely-attended live performance from 2001 at the now defunct Gresham Hotel. UFM 001 is named 'Liquified', and is credited to 'Donald McPherson & co.' : a pre-Three Forks underground-supergroup configuration which also included Sandoz Lab Techicians Tim Cornelius and Nathan Thompson, as well as James Currin himself.

Needless to say, it didn't - or perhaps more accurately, wasn't allowed to - stop there. Over the next 5 years UFM's catalogue swelled to the double digits, its post-lathe, pre-neo-cassette aesthetic enlivened by the then recently accessible CDR technology, all packaged up in handpainted / handscreened 'craft boutique' covers, in the process becoming not just a reflection or documentation of, but a generator for, much local musical and associated artistic activity.

the reviews started to roll in :

"I imagine what Ray Off divines across these five tracks of peyote laced aural fever dreams would make for a fine backdrop to images of sun scorched rock formations, distant liquid hallucinations and other strange lizard-scuttling desert phenomena. One of the earliest UFM releases, currently in its third press and still roaming the wilds, highly recommended for lovers of skin-crawling, head-tickling sonic mutations."

"The effect is sort of like reading some obscure sci-fi comic book while listening to Harmonia, Vocokesh and ingesting LSD all at the same time, but there’s a lot more going on here, too."
- Lee Jackson, Deep Water Acres
"Despite its' fringe characteristics there's a sense of beauty and isolation that is much more seducing than it is perplexing, like following a hidden trail through a region draped in dramatic natural beauty. Seven Layer Ape is a slice of timeless improv.... a visual and aural masterpiece that comes highly recommended to every avid Broken Face reader."
- Mats Gustafsson, The Broken Face

then, soon after the emergence of Ray Off's 2008's monumental three CDR release 'Split the Lark' (UFM 020), the label went into hiatus. Tune in tonight as Jim joins us in the studio to spin the back catalogue and discuss the past.


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Playlist:

1. Donald McPherson & co., from Liquified (UFM 001)
2. Ray Off, track 2 from Ghost Wolf of Thunder Mountain (UFM 004)
3. Three Forks, 'Drunken Traffic', from Seven Layer Ape (UFM 013)
4. Sinking Infinities, 'L'Orb' from The Life of Riley (excerpt) (UFM 017)
5. Jo Jo ef Steve, 'Ballad of a Thin Line Man' from A Quiet Night in With... (UFM 014)
6. Rory Storm, 'Valerie Solaris Space Station' from Fuck the Memescape (UFM 016)
7. Rory Storm, 'Title Track' from Fuck the Memescape (UFM 016)
8. Spit, 'Piece for Bells' and 'Painting for Prepared Piano (ex. 3)', from Trash Music Spitacular (UFM 011)
9. CJA, 'Ok to Want Me', from Ponds (UFM 019)
10. Ray Off, 'AE', from Clean & Dry Area Before Application (UFM 015)
11. Ray Off, 'Rory & Jim Play Train Gamelan', from Clean & Dry Area Before Application (UFM 015)
12. Ray Off, live at Lines of Flight 7th October 2006, from Split the Lark, disc 3 (UFM 020)
13. Ray Off, 'Smoke People', from Split the Lark, disc 2 (UFM 020)
14. Ray Off, 'Eleballetphant', from Don't Touch your Moustache (UFM 21)
15. Ray Off, 'On Pinmero Pimero', from POLyp pop Ok Oh-oh (unreleased)

(& live interview with Jim Currin throughout the show)


Sunday, December 18

'from the shoebox to the harddrive' : an idealstate sampler, and a lee noyes showcase







from his beginnings as a media studies student and noise experimenter
on late-night student radio in New Plymouth, through the sonic nadirs of Nelson toward his eight years of quietly catalytic collaborative activity in Dunedin and an increasing attention to off-shore internet based collaborations, Lee Noyes' singular musical presence has, to date, been a poetics of focused contradiction, ranging from cacophonous psychedelic percussive maelstroms to astringent electronic sparsities. join avant gardening for an eclectic trawl through the output of Noyes' own label, Idealstate Recordings, a platform for his own collaborative activity, as well as his many and varied other releases on labels such as A Beard of Snails, Last Visible Dog, re:konstrukt, and con-V. we begin the show with the radio debut of three new idealstate releases slated for public distribution in January 2012, and culminate with an interview with the artist recorded at his home in Dunedin, as well as a recording of one of his final live performaces in the city before leaving for Sweden, a graphic score composition for two acoustic guitars written by Alex Wolken.



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Playlist:

1. Lee Noyes, track two from Xiazhi, (ISR1-12), Jan 2012
2. Lee Noyes & Radio Cegeste, 'ion and bird', from to orient themselves with coastlines (ISR2-12), Jan 2012
3. And/Also (Lee Noyes & Stuart Porter), 'Like Also and Any', from Like Also and Any (ISR3-12), Jan 2012
4.
Lee Noyes & Motoko Kikkawa with Radio Cegeste, No. 3 Wave Magnitude, from Kinematics of the Sky, (ISR4-10), June 2009
5.
Lee Noyes & Crude, 'Incarcerated Butterfly' from Crude Transactions, Artless Intent 2011
6.
Je Serai Une Tombe, So What, from 19 X07, (ISRCD1-08), February 2008
7. Lee Noyes and Richard Neave, 'Mauled' from Unrepent, (ISR1-10), May 2010
8.
Je Serai Une Tombe, 'Nihil est Nihil', from 19 X07, (ISRCD1-08), February 2008
10. Bury my Heart, 'Skull Death Dive' from Crows of the World vol. 2, Last Visible Dog (LVD 124). 2009

11. Lee Noyes & Phil Hargreaves, 'Smile for You', from A Present from the Pickpocket, Whi Music, 2005
12. Lee Noyes, Bruno Duplant, & Paulo Chagas, 'one hidden green pepper away from the birds' from as birds (re:konstrukt), 2011
13. Lee Noyes & J. C. Combs, 'Encrypted Note' from Confessions of a Deviant Machine, con-V, 2011
14. Lee Noyes & Barry Chabala, 'Yang' from The Shade & The Squint, idealstate, October 2009
15. Interview with Lee Noyes, 20th November 2011 (backed with
Xiazhi, (ISR1-12))
16. Lee Noyes & Alex Wolken, live performance of 'In a Breath' at Threave, Dunedin, 9th December 2011

Sunday, November 13

rural colours sampler


"home taping is killing music", ran the music industry slogan in the 1980s, when you and everyone you knew regularly swapped mix-tapes and ran from the dinner table to record music directly off the radio. Digital downloading has proved much more successful in killing music as a commodified object, but whether your stance is to 'give up on the object' entirely or to embrace obsolete formats and one-off hand drawn covers, those 80s kids and their aesthetic descendents are still quietly doing other things in their rooms with laptops and guitars, music boxes, old books, stencils, bird feathers, pressed flowers and string.

Despite the expense, the work, and the lack of recognition beyond your immediate circle of peers, non-profit labels continue to thrive as curatorial frameworks for particular, personalised visions of what music is. Take Rural Colours, for example, a label run by Jonathan Lees from Hebden Bridge, Calderdale, West Yorkshire, England. Lees' stated aim is "to create a beautiful handmade product with a personal touch as well as to promote independent musicians." He does this with generosity : with 46 releases to its name since its founding in June 2010, Rural Colours, sitting alongside its sister label Hibernate, is prolific. The two labels work in tandem, with Rural Colours being based around shorter length limited editions of 3" CDs with accompanying free mp3 downloads (making this a 'hybrid label'). The artists on the label are global in origin, with commonalities based around a use of drones, natural sounds, indie-classical, improv, film soundtrack, and folk-inspired sonic elements.

The notion of an EP based label makes perfect sense in an era when there is a lot of information available. But don't believe the received wisdom of the overwhelming info-glut - that you hardly grasp any of it for long enough to really listen - because that's really something that the individual listener has to negotiate via their own listening and collecting habits. Building such strategies of limitation into ways of presenting - and eventually listening - to music is, at the moment, often a matter of tapping into the alternate strategies and formats which have worked well in the past, as we can see in the current resurgence of tape labels. And as Lees says, "A lot of my inspiration comes from the 7" labels that were around during the '90s such as Earworm and Wurlitzer Jukebox. I collected 7" singles for many years and some of my CD releases especially the more limited ones reflect this."

From the Pastoral drift of The Listening Mirror's 'Venice Boxhead', to the vaulted drones and microtonal guitar scribbles of Gareth Davis, Jan Kleefstra and Romke Kleefstra's 'Sielesklyk', this is the first in a series of Avant Gardening shows that will focus on small labels around the world.

some quotes above taken from an interview with label founder Jonathan Lees here

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Playlist

1. Listening Mirror: 'The Leechpool' from ...after the briefest of pauses... (rc002)
2. Listening Mirror: 'Venice Boxhead' from ...after the briefest of pauses... (rc002)
3. Quinn Walker: 'The Weight of Care' from The Weight of Care (rc030)
4. Anna Rose Carter & Pleq: 'A Mirror Sitting' from My Piano is Broken (rc041)
5. Anna Rose Carter & Pleq: 'My Piano is Broken' from My Piano is Broken (rc041)
6. Arkhonia: 'Snow' from Another Dispatch into a World of Multiple Veils (rc033)
7. Beginnings: 'Not Yet Ready for the Day' from Waiting on the Weather (rc001)
8. Beginnings: 'Heritage of Splendor' from Waiting on the Weather (rc001)
9. Gareth Davis / Jan Kleefstra / Romke Kleefstra: 'Sieleslyk' from Sieleslyk (rc031)
10. Dentist: 'Spirals' from Accidents (rc037)
11. Talvihorros: 'Solo Guitar Improvisation II' from Solo Guitar Improvisation II (rc026)
12. Talkingmakesnosense: 'Coruscates' from Coruscates (rc042)
13. Talkingmakesnosense: 'Diffuse' from Coruscates (rc042)
14. Celer: 'Hell Detoured' from Rural Colours Subscription Pack 3 (rc008) (excerpt)
15. D_rradio: 'Summer' from Seasons (rc014)
16. D_rradio: 'Winter' from Seasons (rc014)
17. The Inventors of Aircraft: 'Matter and Vacuum' from The West Country (rc046)
18. The Inventors of Aircraft: 'Calling Out My Goodnights' from The West Country (rc046)