Sunday, March 11

living in the world / the blindfold test : peter stapleton



live on the show tonight : Peter Stapleton talking about the lesser known aspects of a 30 year music practice, from the experimentalism of the mid 1990s onwards, including gallery installation sound works, film-sound collaborations, and the use of shortwave radio as an instrument.

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Playlist:

1. Peter Stapleton, 'Summer Rain', piece for the Bunker sound art series at Christchurch Art Gallery, 2011.
2. Peter Stapleton, 'Is Not the Sea Full of Green Islands' soundtrack to exhibition by Rose Stapleton, the Honeymoon Suite, Dunedin, 1993/4
3. Rain, untitled/unreleased track, 1997
4. Flies Inside the Sun, 'The Black Ship' from Cactus Sky, 1998
5. Eye, 'Insomniac', from Black Ice, 2005
6. PSN Electronic, 'Teleporter 1', installation piece for Etherradio, exhibition curated by Zita Joyce for Cloudland: Digital Art from Aotearoa at ISEA Singapore, July 2008, from Teleporter 9
7. PSN Electronic, 'Teleporter 9b', live at the Substation, ISEA Singapore, July 2008, from Teleporter 9
8. PSN Electronic, 'The Ten Year Anniversary of Bad Sleep', Teleporter 10, live at the Dunedin Public Art Gallery, 2009
9. Peter Stapleton, 'Lift', collaborative soundtrack for installation by Katharina Jaeger, The Physics Room Contemporary Art Space, Christchurch, 2002
10. Peter Stapleton, 'Pool', collaborative soundtrack for installation by Katharina Jaeger, Campbell Grant Galleries, Christchurch / Blue Oyster Contemporary Art Space, Dunedin, 2008
11. Peter Stapleton, 'Dawn', audio visual collaboration with Kim Pieters, 2008
12. Peter Stapleton, 'Epilogue to Blood Meridian', composition for multiple voices, for Sound in the Cracks festival, Dunedin Public art Gallery, 2008
13. Peter Stapleton, Tristan Dingemans, & Jim Currin, live score for film, part of the Sound in the Cracks festival, Dunedin Public art Gallery, 2008
14. Flies Inside the Sun, 'La Maga', from The Invisible Pyramid, 2003
15. Sleep, 'Lines of Flight, from Enfolded in Luxury, 1998
16. Rain, 'Tusalava', from Sycamore, 1997

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