Sunday, September 2
'your typos leak wisdom' / sound poetry #3 : cris cheek, orchid tierney
tonight Dunedin-based appropriative poet Orchid Tierney joins us in the studio, to give us an insight into her practice and research, which has included twitterbot textual appropriative works, translating the Treaty of Waitangi into morse code, and Bracchiation, her chapbook with Gumtree Press. Orchid will treat us to a reading of recent sound / text works, and associated speculations on poetic practice.
while on a recent holiday in New Zealand, renowned British live artist and sound poetry practitioner cris cheek talked to Avant Gardening about everything from the Baltimore scene of the 70s and 80s, DIY aesthetics, artist book making, concrete poetry using live crabs, the vibrant sound poetics scene and associated interdisciplinary cross-pollinations, the tape recorder vs. live voice and physical presence, how he came to be involved with Bob Cobbing’s famous Writers Forum Workshop, thoughts on the ‘Poesie Sonore’ of Henri Chopin, performance art, his disinclination toward British male pub poetry, and the New York Occupy movement’s use of media. we also replay a poetry reading cris gave at the Circadian Rhythm café in Dunedin, introduced by Otago University English department academic Jacob Edmond.
we end the show with a polyvocal perfomance by Avant Gardening co-hosts Sally Ann McIntyre and Campbell Walker, of a concrete poetry text / artist book by Campbell Walker, The Crime LINKS in the Smoke. The book is a reworking of burnt pages of destroyed detective fiction collected from the floor of Princes St. second-hand bookstore Raven Books, where both McIntyre and Walker once worked, on the 1st anniversary of the fire that destroyed both the bookstore and its c.1870s building. The Crime LINKS in the Smoke is a work made for The Rose Collection, Scott Flanagan’s artist book project forming part of his exhibition Do You Remember Me Like I Do? exhibited at the Christchurch Art Gallery’s offsite space, in the NG building, Christchurch, until 23 September 2012.
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Playlist :
1. reading by Orchid Tierney, of 4 poems : Se -Or Sy : In, Going with the Flashy, Emily Dickinson 1., and Full., live in the Radio One studio.
2. reading by cris cheek at Circadian Rhythm cafe, Dunedin, 18 July 2012.
3. interview with cris cheek, 20 July 2012, conducted at 1/367 High St., Dunedin.
4. Campbell Walker and Sally Ann McIntyre, The Crime LINKS in the Smoke, recorded august 2012.
Sunday, August 26
a long losing battle with eloquence and intimance/ once i was not: the music of dredd foole
"The terms used for experimental folk music in recent years-- "free folk," "psych folk," "freak folk"-- have been stretched so thin, they've lost a lot of their meaning. But one, "New Weird America," has held some water. That's because when David Keenan coined the phrase in the August 2003 issue of The Wire, he meant it less as a style than a region-- a specific collective of Northeastern artists centered around the Brattleboro Free Folk Festival in Vermont. Getting even more specific, Keenan noted that most of this group were influenced by one particular record: Dredd Foole's 1994 classic In Quest of Tense." - Marc Masters
Dredd Foole aka Dan Ireton has been making increasingly singular noises at the periphery of American music since the late 1960s. His recorded output starts with the furious punk energy of his early 80s band, Dredd Foole and the Din, who released two albums featuring members of Mission of Burma and Volcano Suns. Those records - fierce electric cathartic exorcisms driven along by Ireton's shouts, screams and gurgles - still stand out as extremes of the US post punk period, but the subsequent album, In Quest of Tense, released more than a decade later, is the one that Foole is most remembered for now. Never a big seller, but an album as dense in influence as it is in sound, Tense is a cloudy thicket of reverb, extended vocal techniques played for extended periods, long drifting and deeply emotional improvised song structures built from invisible and often inscrutable sources. It wasn't awfully like anything before it - if pushed you could cite the emotional cathartic explorations of Jandek, the vocal explorations of Tim Buckley or Simon Finn along with a lot of swirling psychedelic murk. At the time, it fell into something of a hole, but the people who picked up on it obviously kept it, because by the early 2000s Foole was one of the central figures of what has become know - as Masters cites above - as the New Weird America - a form combining explorations of sound that are decidedly experimental with elements of Americana and an outdoors/ ritualistic focus.
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Playlist :
1. Dredd Foole and the Din, 'It All Ends Here' from Eat my Dust and Cleanse My Soul (1985)
2. Dredd Foole and the Din, 'Sanctuary' from Songs in Heat EP (1982)
3. Dredd Foole and the Din, 'I'm Crying' from Eat my Dust and Cleanse My Soul (1985)
4. Dredd Foole and the Din, 'So Strange' from Take Your Skin Off (1987)
5. Dredd Foole, 'Glory' from In Quest of Tense (1995)
6. Dredd Foole, 'Turn Turn (Turn)' from In Quest of Tense (1995)
7. Dredd Foole, 'Dog Star Waltz' from Kissing the Contemporary Bliss (2004)
8. Dredd Foole, 'Stones in my Passway' from Kissing the Contemporary Bliss (2004)
9. Dredd Foole, 'It's Ugly(But Its Free)' from A Long Losing Battle with Eloquence and Intimance (2005)
10. Dredd Foole, 'A Feeble Light' from A Long Losing Battle with Eloquence and Intimance (2005)
11. Dredd Foole, 'Freedom' from Daze on the Mounts(2004)
12. Dredd Foole, 'Signed D.C.' from Daze on the Mounts(2004)
13. Dredd Foole, 'Sister Ray (featuring Dr E'Weerd Yijji)' from Blues Sermon With Congregation/ Heroine Celestial Architecture Vol 2 "digital 78" (2004)
14. Dredd Foole and the Din, 'People are Strange' from Eat my Dust and Cleanse My Soul (1985)
15. Dredd Foole and the Din, 'Ghost Rider' from Ghost Rider/ Frankie Teardrop cs (2006)
16. Dredd Foole and the Din, 'Frankie Teardrop' from Ghost Rider/ Frankie Teardrop cs (2006)
Sunday, August 19
sound poetry #2 : some avant gardes
For programme no.#2 of our four part sound poetry series, Avant Gardening traces a wandering path through the wider expanded field of experimental sound/voice in 20th century avant garde artistic practices and speculates on their effect on the forms of noise and voice found in poetic sound work, and poetries that emphasise the corporeality of reading and performativity. such 20th century historic avant garde language experiments include early dadaist experiments in language cut ups and explorations in destroying the linear sense of language via the public performance of 'nonsense' sounds, through john cage and jackson maclow's interest in re-composing (or "writing through") other texts via the i ching and mesostics, to the fluxus interest in language as 'prose score'. Along the way we listen to such singularly uncompromising audio pieces as Yoko Ono's 'Cough Piece', Kurt Schwitters' 'Ursonate (as read toward a somewhat airless perfection by Jaap Blonk), Joseph Beuys' c.1968 mantric tape piece Ja Ja Ja Nee Nee Nee (in its entirety), and the 1963 radio play by Swedish artist Öyvind Fahlström, 'Fåglar i Sverige' ('Birds in Sweden'), the most sustained foregrounding of his experiments in creating new languages: 'birdo', based on American bird sounds, and 'fåglo', based on Swedish bird sounds.
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Playlist :
1. Hugo Ball, 'Karawane', from Dada for Now
2. Hugo Ball 'Wolken', from Dada for Now
3. Raoul Hausmann, 'Scoundrel', from Dada for Now
4. Kurt Schwitters 'Ursonate (Dritter Teil)', from Ursonate
5. Jaap Blonk, 'Ursonate (Erster Teil)', from Ursonate
6. John Cage, 'Mureau'
7. John Cage, 'Song, Derived from the Journals of Henri David Thoreau'
8. John Cage, Writing for the Second Time Through Finnegan's Wake'
9. Jackson Mac Low, from Open Secrets
10. Jackson Mac Low, from Open Secrets
11. Dick Higgins, 'Omnia Gallia', from Fluxus Anthology 30th Anniversary 1962-1992
12. Yoko Ono, 'Lennon',
13. Yoko Ono, 'Cough Piece', taken from UbuWeb/Penn Sound Archive
14. Takehisa Kosugi, '75 Letters and Improvisation', from A Chance Operation, the John Cage Tribute (Disc 2)
15. William S Burroughs, 'Present Time Exercises', from Break Through in Grey Room
16. William S Burroughs, 'Origin and Theory of the Tape Cut Up', from Break Through in Grey Room
17. bpNichol, 'The Alphabet Game', from Ear Rational : Sound Poems 1966 - 1980
18. bpNichol, 'White Text Sure: Version 1', from Ear Rational : Sound Poems 1966 - 1980
19. Maurizio Nanucci, 'Cut Music - number 9', from Sound Poetry Today
20. Valeri Scherstjanoi, 'Trecho de Improvisation', from Sound Poetry Today
21. Arrigo Lora-Totino, 'Chiacchere', from Fylkingen Text-Sound Festivals - 10 Years
22. Charles Amirkhanian, 'Dzarim Bess Ga Korim', from Fylkingen Text-Sound Festivals - 10 Years
23. Ake Hodell, 'The Voyage to Labrador', from Fylkingen Text-Sound Festivals - 10 Years
24. Sten Hanson 'Au', from Fylkingen Text-Sound Festivals - 10 Years
25. Öyvind Fahlström, 'Fåglar i Sverige'
26. Joseph Beuys, 'Ja Ja Ja Nee Nee Nee'
Sunday, August 12
sound poetry #1 : henri chopin, bob cobbing
"When I put the microphone into the mouth I have simultaneously five sounds: the air and the liquid in the mouth, the respiration in the nose, the air between each tooth and the respiration in the lungs … In 1974 I put into my stomach a very small microphone and it was a discovery – the body is always like a factory! It never stops – there’s no silence!"
- Henri Chopin
Part one of Avant Gardening's exploration of the roots of audio poetry takes in aspects of the oevres of two prolific giants of the genre, Henri Chopin and Bob Cobbing, placing them within the context of the great flourishing of interest in intermedia, performance, the body and the associated topographic and sonic poetry explorations of the mid 20th century.
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Playlist :
1. Henri Chopin, 'Rouge', from Audiopoems
2. Henri Chopin, 'Extrême Tension' from Futura : Poesia Sonora compilation (1978)
3. Henri Chopin, 'La Civilisation Du Papier' from Futura : Poesia Sonora compilation (1978)
4. Henri Chopin, 'Hoppa Bock' from Audiopoems
5. Henri Chopin, 'Pêche De Nuit', from Audiopoems
6. Henri Chopin, 'Tête À Tête' from Audiopoems
7. Henri Chopin, 'L'Agrippe Des Droits', from Audiopoems
8. Henry Chopin & Bob Cobbing, 'Refreshment Break', from Miniatures compilation (1980)
9. Bob Cobbing, 'Blotting Music' from Oral Complex at the L.M.C. (Writers Forum Cassette No. 4) (1983)
10. Bob Cobbing, 'Trigram' from Oral Complex at the L.M.C. (Writers Forum Cassette No. 4) (1983)
11. Birdyak (Bob Cobbing & Hugh Metcalfe), 'Destruction in Art (Glasgow)', from Aberration (1988)
12. Birdyak (Bob Cobbing & Hugh Metcalfe), 'Destruction in Art (Aberystwyth)', from Aberration (1988)
13. Bob Cobbing, 'A Sandwich Poem, Consisting Of A Poem For Voice And Mandolin And Poem For Gillian', from Experiments In Disintegrating Language / Konkrete Canticle (1971)
14. Bob Cobbing, 'As Easy', from Text-Sound Compositions: A Stockholm Festival (1970)
15. Bob Cobbing, 'Hymn to the Sacred Mushroom', from Experiments In Disintegrating Language / Konkrete Canticle (1971)
16. Bob Cobbing, 'Ga(il s)o(ng)', from Experiments In Disintegrating Language / Konkrete Canticle (1971)
17. Bob Cobbing, 'Whisper Piece No. 4 "Whississippi"', from Text-Sound Compositions: A Stockholm Festival
18. Bob Cobbing, 'Suesequence', from Experiments In Disintegrating Language / Konkrete Canticle (1971)
19. Bob Cobbing, 'Chamber Music', from Text-Sound Compositions: A Stockholm Festival
20. Bob Cobbing, 'Spontaneous Appealinair Contemprate Apollinaire', from Review OU: Cinquième Saison No 34/35 (1969)
21. Bob Cobbing, from ABC in sound (d - p - t), from Phonetische Poesie (1971)
22. Henri Chopin, '2500, les Grenouilles d'Aristophane', from Review OU: Cinquième Saison No 36/37 (1967)
23. Henri Chopin, 'Le Corps, Second Part, Brisure du Corps', from Review OU: Cinquième Saison No 30/31
24. Henri Chopin, 'Le Corps, Third Part, Chant du Corps', from Review OU: Cinquième Saison No 30/31
25. Henri Chopin, 'Indicatif 1', from Review OU: Cinquième Saison No 26/27
26. Henri Chopin, 'La Fusée Interplanetaire' from Review OU: Cinquième Saison No 26/27
27. Henri Chopin 'Dynamisme Intégral' from Audiopoems
28. Henri Chopin, 'French Lesson' from Audiopoems
29. Henri Chopin, 'Double Extension', from Audiopoems
Sunday, August 5
studies for player piano : the work of conlon nancarrow
"The expatriate American experimentalist composer Conlon Nancarrow is increasingly recognized as having one of the most innovative musical minds of this century. His music, almost all written for player piano, is the most rhythmically complex ever written, couched in intricate contrapuntal systems using up to twelve different tempos at the same time. Yet despite its complexity, Nancarrow's music drew its early influence from the jazz pianism of Art Tatum and Earl Hines and from the rhythms of Indian music; Nancarrow's whirlwinds of notes are joyously physical in their energy. Composed in almost complete isolation from 1940, this music has achieved international fame only in the last few years."
- Kyle Gann, author of The Music of Conlon Nancarrow
On the 100 year anniversary of his birth, Avant Gardening explores the work of this breathtakingly innovative, largely self taught 20th Century American composer, who lived most of his life in Mexico and famously stated he couldn't himself play the piano. The show includes excepts from a lively conversation between Nancarrow and his friend and supporter Charles Amirkhanian (himself a fascinating composer and radio-maker, who will no doubt be a subject of a future AG show), discussing the player piano as instrument, and associated musings on the connection to jazz rhythms, record collecting, mechanisation, getting rid of the performer, and "out-noting Weburn".
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Playlist:
1. Conlon Nancarrow, Contraption no.1 (1993)
2. Conlon Nancarrow, Study no. 30 for prepared piano (undated)
3. Conversation with Charles Amirkhanian (excerpt 1)
4. Conlon Nancarrow, Sonatina for Piano (1941) - Presto
5. Conlon Nancarrow, Sonatina for Piano (1941) - Moderato
6. Conlon Nancarrow, Sonatina for Piano (1941) - Allegro
7. Conversation with Charles Amirkhanian (excerpt 2)
8. Conlon Nancarrow, Study for Player Piano no. 14
9. Conlon Nancarrow, Study for Player Piano no. 18
10. Conlon Nancarrow, Study for Player Piano no. 19
11. Conversation with Charles Amirkhanian (excerpt 3)
12. Conlon Nancarrow, Para Yoko (1990)
13. Conlon Nancarrow, Study no. 50 (1991)
14. Conlon Nancarrow, Study no. 51 ("3750") (1992)
15. Conversation with Charles Amirkhanian (excerpt 4)
16. Conlon Nancarrow, Blues for Piano (1935)
17. Conlon Nancarrow, Tango?
18. Conlon Nancarrow, Piece for Tape (undated)
19. Conversation with Charles Amirkhanian (excerpt 5)
20. Conlon Nancarrow, Two-part Studies for Piano I. Presto
21. Conlon Nancarrow, Two-part Studies for Piano II. Andantino
22. Conlon Nancarrow, Two-part Studies for Piano III. Allegro
23. Conversation with Charles Amirkhanian (excerpt 6)
24. Conlon Nancarrow, Canons for Ursula I
25. Conlon Nancarrow, Canons for Ursula II
26. Conlon Nancarrow, Canons for Ursula III
27. Conversation with Charles Amirkhanian (excerpt 7)
28. Conlon Nancarrow, Study for Player Piano no. 3b
29. Conlon Nancarrow, Study for Player Piano no. 3c
30. Conlon Nancarrow, Study for Player Piano no. 3d
31. Conversation with Charles Amirkhanian (excerpt 8)
32. Conlon Nancarrow, String Quartet no. 1 (1945) - 1 - Allegro Molto
33. Conlon Nancarrow, String Quartet no. 1 (1945) - 2 - Adante Moderato
34. Conlon Nancarrow, Study for Player Piano no. 9
35. Conlon Nancarrow, Study for Player Piano no. 6
36. Conlon Nancarrow, Study for Player Piano no. 4
Sunday, July 29
my hands don't sleep / forever low man : the music of jim shepard, vertical slit and v-3
"I don't watch the news. I don't read the papers. I'm not really in touch with society. I was born. I'm here, but I don't believe any of it." - Jim Shepard
Caught somewhere between the pre-punk songwriter's dream of reaching an audience, and a post-punk depressive nihilism that isn't sure whether it's worth it, the prolific output of perennial underground figure Jim Shepard oscillates between bracingly acerbic songwriting, harshly corrosive psych-rock, slow drifting drone exploration and seriously lo-fi collage. Tonight Avant Gardening strikes sparks from a 20-year career that ranges from a solitary bedroom practice in mid-70s Florida to a regular touring and membership in the lively Columbus, Ohio scene, and includes the bands Vertical Slit and V-3.
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Playlist:
1.V-3, 'Photograph Burns' from Photograph Burns (1996)
2.V-3, 'Horse Kicks' from Photograph Burns (1996)
3.Vertical Slit, 'Metal or Meat'' from Under the Blood Red Lava Lamp (1986)
4.Vertical Slit, 'Smudge' from Under the Blood Red Lava Lamp (1986)
5. Vertical Slit, 'The Dangling Thread Wraps Around My Neck' from Vertical Slit and Beyond (1990)
6. V-3, 'Bristol Girl'' from Photograph Burns (1996)
7. Jim Shepard, 'Messages from Central Cocoon' from Matter Dominates Spirit (2001)
8. V-3, 'Negotiate Nothing' from Negotiate Nothing (1992)
9. V-3, 'Forever Low Man' from Negotiate Nothing (1992)
10. V-3, 'Guitar Workout/ Treena's Strobe Light Party' from Matter Dominates Spirit (2001)
11. Vertical Slit, '6x4 F#3' from Basement 2215 (1986)
12. Vertical Slit, 'Bag of Whistle' from Basement 2215 (1986)
13. Vertical Slit, 'Cans and Chains' from Basement 2215 (1986)
14. Vertical Slit, 'Doctor Q' from Basement 2215 (1986)
15. Vertical Slit, 'New Thrill New Pill' from Basement 2215 (1986)
16. V-3, 'Russian Roulette Chinese Style' from Russian Roulette (Chinese Style) 7" (1986)
17. V-3, 'V-3 Radio (German Style)' from Russian Roulette (Chinese Style) 7" (1986)
18. V-3, 'The Process and the Details' from Russian Roulette (Chinese Style) 7" (1986)
19. V-3, 'Funky Dance Band' from Russian Roulette (Chinese Style) 7" (1986)
20. V-3, 'Russian Roulette Chinese Style (2)' from Russian Roulette (Chinese Style) 7" (1986)21. V-3, 'Radio Show Fragment from Big Wattage Station that used to play us but now they play the Indigo Grlz' from Russian Roulette (Chinese Style) 7" (1986)
22. V-3, 'Homburg' from Russian Roulette (Chinese Style) 7" (1986)
23. Vertical Slit, '6x4' from Slit and Pre-Slit (1977)
24. Vertical Slit, 'Siren Intro' from Slit and Pre-Slit (1977)
25. Vertical Slit, '6x4 F#1' from Slit and Pre-Slit (1977)
26. Vertical Slit, 'A Day at the Factory' from Slit and Pre-Slit (1977)
27. Vertical Slit, 'Greensleeves' from Slit and Pre-Slit (1977)
28. Vertical Slit, 'Canyon Girl' from Twisted Steel and the Tits of Angels (1997)
29. Vertical Slit, 'Aerial Inventory' from Twisted Steel and the Tits of Angels (1997)
30. Vertical Slit, 'Your move, China man' from Twisted Steel and the Tits of Angels (1997)
31. Vertical Slit, 'In the Shadow of Teena' from Twisted Steel and the Tits of Angels (1997)
32. Jim Shepard, 'A Streetcar Named Depression' from Picking Through the Wreckage With A Stick (1994)
33. Laquer, 'Your Leader' from Evil Love Deeper (1995)
34. V-3, 'Illogical' from Matter Dominates Spirit (2001)
35. Vertical Slit, 'I Remember Nothing' from Under the Blood Red Lava Lamp (1986)
36. Jim Shepard, 'Birthplace of Aviation' from Motorcycle Movie (1998)
37. Jim Shepard, 'Cruel Universe' from Motorcycle Movie (1998)

Caught somewhere between the pre-punk songwriter's dream of reaching an audience, and a post-punk depressive nihilism that isn't sure whether it's worth it, the prolific output of perennial underground figure Jim Shepard oscillates between bracingly acerbic songwriting, harshly corrosive psych-rock, slow drifting drone exploration and seriously lo-fi collage. Tonight Avant Gardening strikes sparks from a 20-year career that ranges from a solitary bedroom practice in mid-70s Florida to a regular touring and membership in the lively Columbus, Ohio scene, and includes the bands Vertical Slit and V-3.
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Playlist:
1.V-3, 'Photograph Burns' from Photograph Burns (1996)
2.V-3, 'Horse Kicks' from Photograph Burns (1996)
3.Vertical Slit, 'Metal or Meat'' from Under the Blood Red Lava Lamp (1986)
4.Vertical Slit, 'Smudge' from Under the Blood Red Lava Lamp (1986)
5. Vertical Slit, 'The Dangling Thread Wraps Around My Neck' from Vertical Slit and Beyond (1990)
6. V-3, 'Bristol Girl'' from Photograph Burns (1996)
7. Jim Shepard, 'Messages from Central Cocoon' from Matter Dominates Spirit (2001)
8. V-3, 'Negotiate Nothing' from Negotiate Nothing (1992)
9. V-3, 'Forever Low Man' from Negotiate Nothing (1992)
10. V-3, 'Guitar Workout/ Treena's Strobe Light Party' from Matter Dominates Spirit (2001)
11. Vertical Slit, '6x4 F#3' from Basement 2215 (1986)
12. Vertical Slit, 'Bag of Whistle' from Basement 2215 (1986)
13. Vertical Slit, 'Cans and Chains' from Basement 2215 (1986)
14. Vertical Slit, 'Doctor Q' from Basement 2215 (1986)
15. Vertical Slit, 'New Thrill New Pill' from Basement 2215 (1986)
16. V-3, 'Russian Roulette Chinese Style' from Russian Roulette (Chinese Style) 7" (1986)
17. V-3, 'V-3 Radio (German Style)' from Russian Roulette (Chinese Style) 7" (1986)
18. V-3, 'The Process and the Details' from Russian Roulette (Chinese Style) 7" (1986)
19. V-3, 'Funky Dance Band' from Russian Roulette (Chinese Style) 7" (1986)
20. V-3, 'Russian Roulette Chinese Style (2)' from Russian Roulette (Chinese Style) 7" (1986)21. V-3, 'Radio Show Fragment from Big Wattage Station that used to play us but now they play the Indigo Grlz' from Russian Roulette (Chinese Style) 7" (1986)
22. V-3, 'Homburg' from Russian Roulette (Chinese Style) 7" (1986)
23. Vertical Slit, '6x4' from Slit and Pre-Slit (1977)
24. Vertical Slit, 'Siren Intro' from Slit and Pre-Slit (1977)
25. Vertical Slit, '6x4 F#1' from Slit and Pre-Slit (1977)
26. Vertical Slit, 'A Day at the Factory' from Slit and Pre-Slit (1977)
27. Vertical Slit, 'Greensleeves' from Slit and Pre-Slit (1977)
28. Vertical Slit, 'Canyon Girl' from Twisted Steel and the Tits of Angels (1997)
29. Vertical Slit, 'Aerial Inventory' from Twisted Steel and the Tits of Angels (1997)
30. Vertical Slit, 'Your move, China man' from Twisted Steel and the Tits of Angels (1997)
31. Vertical Slit, 'In the Shadow of Teena' from Twisted Steel and the Tits of Angels (1997)
32. Jim Shepard, 'A Streetcar Named Depression' from Picking Through the Wreckage With A Stick (1994)
33. Laquer, 'Your Leader' from Evil Love Deeper (1995)
34. V-3, 'Illogical' from Matter Dominates Spirit (2001)
35. Vertical Slit, 'I Remember Nothing' from Under the Blood Red Lava Lamp (1986)
36. Jim Shepard, 'Birthplace of Aviation' from Motorcycle Movie (1998)
37. Jim Shepard, 'Cruel Universe' from Motorcycle Movie (1998)

Sunday, July 22
a lonely rough sketch / I become a lonely wind with you : morita doji
The acid folk torch songs of unlikely 70s Japanese popstar Morita Doji combine luridly, fantastically melodramatic tones with a limpid, glacial elegance, to produce a highly stylised, alarmingly beautiful songworld dominated by a mood of overwhelming, florid, dense sadness.
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Playlist
1. Morita Doji, 'Horizon' (live version) from Tokyo Cathedral (1978)
2. Morita Doji, 'Our Failure' from Mother Sky (1976)
3. Morita Doji, 'Rainy Crawl Swimming' from Good-Bye (1975)
4. Morita Doji, 'In Early Spring' from Good-Bye (1975)
5. Morita Doji, 'Dazzling Summer' from Good-Bye (1975)
6. Morita Doji, 'Tango no Sekku "The Boy's Festival"' from Good-Bye (1975)
7. Morita Doji, 'Goodbye My Friend' from Good-Bye (1975)
8. Morita Doji, 'Back Light' from Mother Sky (1976)
9. Morita Doji, 'He Weeped For Me' from Mother Sky (1976)
10. Morita Doji, 'Letter from NY' from Mother Sky (1976)
11. Morita Doji, 'Best Spring' from Mother Sky (1976)
12. Morita Doji, 'Today is the Miracle Morning' from Mother Sky (1976)
13. Morita Doji, 'Blue Night' from A Boy (1977)
14. Morita Doji, 'I Become A Lonely Wind With You' from A Boy (1977)
15. Morita Doji, 'You Are Trembling' from A Boy (1977)
16. Morita Doji, 'The Girl of Celluloid' from A Boy (1977)
17. Morita Doji, 'A Lonely Rough Sketch' from A Boy (1977)
18. Morita Doji, 'No. 3 Finale 'Letter For My Friend'' from A Boy (1977)
19. Morita Doji, 'Rape Blossom's Light' from Last Waltz (1980)
20. Morita Doji, 'Please Answer, Green Colonel' from Last Waltz (1980)
21. Morita Doji, 'Last Waltz' from Last Waltz (1980)
22. Morita Doji, 'I Am 16 Square Shapes' from Nocturne (1982)
23. Morita Doji, 'Sympathy Night Song' from Nocturne (1982)
24. Morita Doji, 'Wolf Boy' from Wolf Boy (1983)
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